CTTT Chapter 175.3

Yin Yunge didn’t continue to explain, but Qiao Nan quickly pinched him and spoke.

“Stop talking. Several directors are starting to comment on Director Jiang’s work.”

“Okay, okay, I won’t say anything more.”

The group of people began to focus their attention on the big screen in the backstage actor area to watch the directors in front of the stage.

After all the directors in the front stage director area watched Jiang Ting’s new work “Poison Flower”, no one broke the deadlock and spoke first for a while. Even Zhang Feilong, who had always been very enthusiastic about comments, was silent.

Fortunately, the host Ah Bao was very helpful. Since the directors didn’t speak up, she helped to set the pace.

She asked Director Zhang Feilong first.

“Director Zhang, after watching Director Jiang’s film, do you have anything to say?”

When Zhang Feilong heard someone calling him, he looked up and confused, and then he reacted.

“Oh, sorry, I was so immersed in the plot that I didn’t respond for a long time. What did you say?”

“I mean, what do you think after watching Director Jiang’s work? Please give your comments on Director Jiang’s work.” Ah Bao was startled by Zhang Feilong’s sudden apology, and her voice became cautious.

“Yes, yes, comment. I almost forgot about it.” Zhang Feilong immediately remembered why he came.

This time, he thought for a few seconds before speaking.

“Director Jiang’s micro-film is actually very well shot. If it is made into a 120-minute movie, it can be shown in theaters. Whether it is the plot, the actors’ acting skills, the lines, or even the director’s shooting techniques, I can’t find any faults.”

“But I think the biggest attraction of this microfilm is the subject matter. The most common themes of this type of film in China are mostly police crackdowns on drug trafficking, undercover drug dens, and crackdowns on drug dealers. There are very few films about drug rehabilitation. I have to say, it gives me a refreshing feeling.”

“Then I have to mention the director’s own filming skills. I like the fact that the beginning and the end of the movie echo each other.”

“In the beginning, the pots of flowers on the balcony are all withered; but at the end, the female lead appears on the balcony again, and the flowers are blooming luxuriantly. At the same time, we also know that the flowers are dazzling, but when the flowers fall, it is desolate. The flowers that are in full bloom are placed here, which is a metaphor for the movie.”

“At the end of the film, the female lead seems to have a happy and beautiful life, but in fact, she has not yet quit her drug addiction. In the future, she will be like these flowers that are in full bloom, and she will become withered again like the beginning.”

Zhang Feilong’s new explanation made everyone fall into deep thought, and then he continued.

“In addition, the director focused on several shots in the movie. The family photos of the female lead’s family appear many times in the movie. She even met her second husband because of the family photos in her wallet.”

“I really like the director’s shooting technique very much. A seemingly casual shot actually gave hints to the audience everywhere. This shooting technique will make the audience feel the guilt and importance of the female lead to her family, which led her to quit drugs.”

“And there is a very obvious contrast here. The female lead should have just given birth to her second husband’s child not long ago. You must know that when drug addicts are pregnant women, it is very bad for children. But the baby in the stroller at the end is obviously very healthy, so it can be concluded that she did not take drugs during pregnancy.”

“From the time she came out of the drug rehabilitation center to getting married and having children again, there was at least a gap of two or three years. Not taking drugs for two or three years can be determined as a successful first drug rehabilitation. But, why did she relapse at the end?”

“The answer is actually hidden in the movie.”

Suddenly, Zhang Feilong’s analysis caused an uproar at the scene.

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