With the role of ‘Qiao Mingyue’, Qiao Nan became the white moonlight of an era. No matter what role she played afterward, her fans and moviegoers were all regretful that they would never see the stunning ‘Qiao Mingyue’ in Jiang Ting’s movies again.
That was the most beautiful moment in Qiao Nan’s life, and Jiang Ting was responsible for recording her most beautiful moment at that time.
The documentary shot by Qiao Nan was boring and even cooperated with various parties to obtain authorization. There were many boring award ceremony scenes, but for many Qiao Nan fans and even those who still remembered Jiang Ting, they still enjoyed watching it.
The movie also recorded Jiang Ting’s great deeds, such as the new special effects technology that Jiang Ting left to the world. After a long period of fermentation, she was honored as the ‘Mother of New Special Effects’.
Although the name was a bit ugly, it showed that people recognized it. Countless people even said that the emergence of new special effects had saved people’s eyes, and bad movies could no longer use bad special effects as an excuse to shirk responsibility.
The new special effects are divided into several levels. Some blockbusters require exquisite and large-scale special effects, which will be slightly more expensive; while some TV dramas that only require simple special effects naturally have low prices for them to choose from.
After introducing the new special effects created by Jiang Ting, the movie also introduced Qin Xiang’s remake of Jiang Ting’s version of “Reverse Wheel”.
In Qin Xiang’s version of “Reverse Wheel”, Deng Qin is the male lead, and the female lead is Wen Xin, one of the four major actresses of the same level as Qi Xinya and Yin Yunge.
Qin Xiang’s version of “Reverse Wheel” had many small changes. It seemed to be the same story shot by Jiang Ting, but the movie itself was more heartbreaking and focused more on the harm of school violence and domestic violence to children.
This led to many parents bringing their children to watch the movie in groups after the movie was broadcast and telling their children to tell their parents and teachers if they encounter school violence.
Qin Xiang’s version of “Reverse Wheel” achieved good results. The box office of the movie was as high as 2.8 billion that year. Without considering Jiang Ting’s performance, the box office of the movie was still very high.
After the release of “Reverse Wheel”, Deng Qin won his first of the three major awards, the Golden Crane Best Actor Award.
At the award ceremony, he was so moved that he burst into tears and spoke frankly.
“I am very grateful to Director Jiang. Director Jiang gave me a second chance to climb the ladder in my career. She is the benefactor of my life… Although God is jealous of her talent and she left us, I will never forget her. She will live in my heart forever.” Deng Qin said sadly.
Even though he won the award, he couldn’t be happy when he thought that Jiang Ting was not there.
“Reverse Wheel” was released just one year before “Bright Moon” participated in the award. It was released in the Spring Festival after the release of “Epic” in the summer.
That year was known as Deng Qin’s world. With the billion-dollar summer box office hit “Epic” in his left hand and the triple-gold Spring Festival hit “Reverse Wheel” in his right hand, Deng Qin was extremely high-spirited and became an instant hit. His status was even higher, and he soared directly into the ranks of the top male actors in the circle.
In addition, many Qiao Nan fans also remembered that year was the year when everyone said ‘Qiao Nan can only be a vase’.
However, no one expected that Qiao Nan, who was called a vase and relied on unspoken rules to get ahead the year before, would slap everyone in the face with the performance of “Bright Moon” the next year.
“Bright Moon”, which grossed 13.2 billion at the end of the year, beat “Epic” in terms of box office and awards, even though they were both works by Jiang Ting.
After the two different versions of “Reverse Wheel” by Jiang Ting and Qin Xiang appeared, the gender-swapped version of “Poison Flower” co-produced by Zhang Feilong and Jiang Ting appeared next.
After giving birth to a son, Qi Xinya quickly recovered her figure and returned to work. She took over the female lead role of “Poison Flower” from Zhang Feilong and successfully joined the crew, which made the “Poison Flower” crew even more powerful.
Zhang Feilong’s version of “Poison Flower” and “Bright Moon” were released together, both during the Spring Festival.
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