When Lan Fengzhi arrived, he looked a little messy in his black suit. He looked more mature and more charming. He apologized to Qiao Nan.
“I’m sorry, Sister Nan, I’m late.”
“It’s okay, she won’t blame you.”
Qiao Nan picked up two roses and told him softly: “She said that she doesn’t want anyone to burn incense for her. Remember to give her a rose when you come. Do you want a white one or a red one?”
Jiang Ting prefers red and white roses, but white roses symbolize friendship and red roses symbolize love.
Deng Qin, Bai Xi, and others took white roses before, but Lan Fengzhi frowned slightly and took the red rose. (T/N: Wow, your love is so hidden, young man)
There was a thorn on the red rose, which was very prickly, but Lan Fengzhi was completely unaware. He walked to the photo of Jiang Ting, looking at the still young and beautiful Jiang Ting, with a somewhat dazed look on his face.
He vaguely remembered that when he first participated in the “Director’s Project”, he saw that the seats in the other three director’s areas were full, but there was only one director’s area with almost no one.
Looking at that incredibly young and beautiful face, Lan Fengzhi suddenly felt as if his heart was pierced by something. At that moment, Lan Fengzhi didn’t know what ‘love at first sight’ was, but he knew that his heart was moved.
Ten years later, looking at the face that once made his heart beat fast again, Lan Fengzhi lowered his brows and placed the red rose in front of her photo.
He saw a red rose mixed in with a group of white roses in the vase on the table. It looked particularly abrupt, yet unexpectedly harmonious.
He murmured softly, “Sister, I’m here to see you.”
When he participated in the “Director’s Project”, no one knew that Jiang Ting was Lan Fengzhi’s red rose.
Among all of Jiang Ting’s male protagonists, he was the least noticeable, the youngest, and even his academic performance was not as good as Jiang Ting’s other favorite male protagonists.
Deng Qin was made famous by Jiang Ting’s “Reverse Wheels” and then “Epic” made him the most popular male lead in commercial films in the past ten years.
Luo Xian became famous early, and “Poison Flower” was just icing on the cake for him.
Bai Xi used “Green Tea and Rogue” to wash away his reputation as a once-outdated traffic star with poor acting skills and successfully transformed himself, and Zhuoer in “Epic” brought him back to the top of the entertainment industry.
As for Tang Sheng, “Bright Moon” made Qiao Nan and him successful. Not to mention that the gender-swapped version of “Poison Flower” co-produced by Jiang Ting and Zhang Feilong made Tang Sheng win the Golden Crane Award for Best Actor, establishing his status as a god in the industry.
Only Lan Fengzhi, who played in “Demon Life” directed by Jiang Ting, had his role as the male lead greatly cut; he played a supporting role in “Reverse Wheels” and was criticized for his poor acting skills; he played a supporting role in “Epic” and was not even the fifth male role.
Once the marketing account mentioned who was Jiang Ting’s favorite male lead, Lan Fengzhi was never nominated, which showed that he was nothing in Jiang Ting’s movies.
But it was this person who, in the ten years since Jiang Ting left, climbed to the top of the entertainment industry step by step with his own efforts.
Ten years after Jiang Ting left, Deng Qin got married and had children, Bai Xi and Qiao Nan fell in love, and Tang Sheng had a new girlfriend. Everyone had their own love life. Only Lan Fengzhi seemed to be like an ascetic monk, filming crazily.
In the entertainment industry, if there was a little bit of news about his relationship, the company would immediately refute the rumor that he was not in a relationship.
Some people even pulled Lan Fengzhi to hype him up.
When the media interviewed him, they were unfamiliar with him.
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